Produced by, among others, writer David DiGilio and director Antoine Fuqua (“Training Day”), “The Terminal List” feels cliched in the extreme, from Reece’s flashbacks and cloudy visions to its cynicism surrounding those in power, whether it’s government officials, corporate tycoons or military contractors putting profits and careers ahead of the lives of soldiers. That road doesn’t exactly follow a straight path, more like a dotted one, with occasional detours to go kill people who emerge as responsible for or complicit in the plot. What ensues is a nasty bit of business, as Reece (seemingly possessing a bottomless well of resources, but why sweat the details?) peels back the layers of what transpired, facing a ticking clock in terms of his condition and how long he can remain focused and healthy enough to carry out the task at hand. If that weren’t bad enough, Reece is given additional cause to seek out those responsible, which he does with the help of a friend and former SEAL (Taylor Kitsch) while maintaining contact with an investigative journalist (Constance Wu), who wants the story almost as much as the people who Reece is eliminating want him in custody. Reece comes home emotionally scarred, before discovering that his unit might have been the victims of an experiment gone wrong, one that has left him dealing with cognitive trauma that clouds his memories. Despite the promotional benefits of featuring star-producer Chris Pratt as a grittier kind of avenger, this brutal eight-episode slog squanders its talent in front of and behind the camera.Īdapted from a novel by Jack Carr, the series features Pratt as James Reece, a hard-driving Navy SEAL whose platoon is ambushed and decimated during a covert mission.

Amazon has flexed its muscles with military-style action series (see “Tom Clancy’s Jack Ryan” and “Reacher”), but “The Terminal List” adds a numbingly simple-minded revenge saga to that subgenre.

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